"How The Great War was lost and found". Sir Ralph David Richardson . Gielgud played Spooner, a down-at-heel sponger and opportunist, and Richardson was Hirst, a prosperous but isolated and vulnerable author. [18] He remained with Doran's company for most of the next two years, gradually gaining more important roles, including Banquo in Macbeth and Mark Antony in Julius Caesar. Ralph Richardson was born on December 19, 1902 (died on October 10, 1983, he was 80 years old) in . The first, Anna Karenina, with Vivien Leigh, was an expensive failure, although Richardson's notices in the role of Karenin were excellent. [153] He returned to the National, and to Chekhov, in 1978 as the aged retainer Firs in The Cherry Orchard. Occasionally his precision was greater than directors wished, as when, in Khartoum, he insisted on wearing a small black finger-stall because the real Gladstone had worn one following an injury. Here is something better than virtuosity in character-acting the spirit of the part shining through the actor. Laurence Olivier, in full Laurence Kerr Olivier, Baron Olivier of Brighton, also called (1947-70) Sir Laurence Olivier, (born May 22, 1907, Dorking, Surrey, Englanddied July 11, 1989, near London, England), a towering figure of the British stage and screen, acclaimed in his lifetime as the greatest English-speaking actor of the 20th century. He reportedly voted for Winston Churchill's Conservative party in 1945, but there is little other mention of party politics in the biographies. Olivier would have preferred the roles to be cast the other way about, but Richardson did not wish to attempt Lear. [n 5] As Tranio in Ayliff's modern-dress production of The Taming of the Shrew, Richardson played the character as a breezy cockney,[n 6] winning praise for turning a usually dreary role into something richly entertaining. . [111], In late 1954 and early 1955 Richardson and his wife toured Australia together with Sybil Thorndike and her husband, Lewis Casson, playing Terence Rattigan's plays The Sleeping Prince and Separate Tables. Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. . He was the first member of his profession to be . [61], After a short run in The Silent Knight, described by Miller as "a Hungarian fantasy in rhymed verse set in the fifteenth century", Richardson returned to the Old Vic for the 193738 season, playing Bottom once again and switching parts in Othello, playing the title role, with Olivier as Iago. What a Lovely War and Khartoum included Olivier, but he and Richardson did not appear in the same scenes, and never met during the filming. His return to Shakespeare for the first time since his Old Vic days was keenly anticipated, but turned out to be a serious disappointment. [18], After No Man's Land, Richardson once again turned to light comedy by Douglas-Home, from whom he commissioned The Kingfisher. [4] Mother and son had a variety of homes, the first of which was a bungalow converted from two railway carriages in Shoreham-by-Sea on the south coast of England. [57] The producer was Alexander Korda; the two men formed a long and mutually beneficial friendship. He was the youngest of the three sons of Arthur Richardson (1866-1928) and his wife, Lydia Susie (Russell) Richardson (1870-abt.1953).His brothers were Christopher Richardson (1893-1932) and Ambrose Richardson (1896-1971).. [84], During the run of Cyrano, Richardson was knighted in the 1947 New Year Honours, to Olivier's undisguised envy. [177] The Guardian judged Richardson "indisputably our most poetic actor". [26][29] During the run Muriel Hewitt began to show early symptoms of encephalitis lethargica, a progressive and ultimately fatal illness. Alec Guinness, who played the main role, noted "the object-lesson in upstaging in the last scene between Richardson and Nol Coward", faithfully captured by the director, Carol Reed. [23] To his great happiness, the two were able to work together for most of 1925, both being engaged by Sir Barry Jackson of the Birmingham Repertory Theatre for a touring production of The Farmer's Wife. [6] All the theatres in London dimmed their lights in tribute; the funeral Mass was at Richardson's favourite church, the Church of Our Lady of the Assumption and St Gregory, in Soho;[n 17] he was buried in Highgate Cemetery; and the following month there was a memorial service in Westminster Abbey. [131] Olivier was by now running the National Theatre, temporarily based at the Old Vic, but showed little desire to recruit his former colleague for any of the company's productions. US. 326327; O'Connor, p. 34; and Miller, p. 18, List of roles in Tanitch, pp. He starred as Cyrano in a famous London stage production of "Cyrano de Bergerac" in 1946, the same year that Jose Ferrer first played . "[82] In the second double bill it was Olivier who dominated, in the title roles of Oedipus Rex and The Critic. [168] Tynan wrote in The New Yorker that Richardson "made me feel that I have known this man all my life and that I have never met anyone who more adroitly buttonholed me while keeping me firmly at arm's length. [122] His only reason for playing in the piece was the chance of acting with Gielgud, but both men quickly regretted their involvement. The Divorce of Lady X. For the following season Williams wanted Richardson to join, with a view to succeeding Gielgud from 1931 to 1932. He learned his craft in the 1920s with a touring company and later the Birmingham Rep Theatre. [18] His final West End play was The Understanding (1982), a gentle comedy of late-flowering love. In 1970 Richardson was with Gielgud at the Royal Court in David Storey's Home. He learned his craft in the 1920s with a touring company. [134] He was nervous about acting in a television series: "I'm sixty-four and that's a bit old to be taking on a new medium. For the Caedmon Audio label he re-created his role as Cyrano de Bergerac opposite Anna Massey as Roxane, and played the title role in a complete recording of Julius Caesar, with a cast that included Anthony Quayle as Brutus, John Mills as Cassius and Alan Bates as Antony. After it closed, in May 1939, he did not act on stage for more than five years. Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, along with his contemporaries John Gielgud and Laurence Olivier, dominated the British stage of the mid-20th century.He worked in films throughout most of his career, and played more than sixty cinema roles. He was celebrated in later years for his work with Peter Hall's National Theatre and his frequent stage partnership with Gielgud. Richardson later said of Korda, "Though not so very much older than I am, I regarded him in a way as a father, and to me he was as generous as a prince. He worked in films throughout most of his career, and played more than sixty cinema roles. [163] Richardson's last two films were released after his death: Give My Regards to Broad Street, with Paul McCartney, and Greystoke, a retelling of the Tarzan story. Richardson agreed, though he was not sure of his own suitability for a mainly Shakespearean repertoire, and was not enthusiastic about working with Gielgud: "I found his clothes extravagant, I found his conversation flippant. [117] He concluded the 1950s with two contrasting West End successes, Robert Bolt's Flowering Cherry, and Graham Greene's The Complaisant Lover. English theatre and film actor. Junto a Ralph Richardson y Laurence Olivier, fue uno de los tres actores que dominaron la escena teatral britnica durante gran parte . The two elderly men converse in a desultory way, are joined and briefly enlivened by two more extrovert female patients, are slightly scared by another male patient, and are then left together, conversing even more emptily. Ralph Richardson natal chart (noon, no houses) natal chart English style (noon, no houses) Name: Richardson, Ralph: Gender: M: born on: 19 December 1902 Place: . Top 3 Results for Ralph Richardson in MI. Described by The Guardian as "indisputably our most poetic actor", and by the director David Ayliff as "a natural actor . "[26] Richardson's notices, and the relationship of the two leading men, improved markedly when Gielgud, who was playing Prospero, helped Richardson with his performance as Caliban in The Tempest: He gave me about two hundred ideas, as he usually does, twenty-five of which I eagerly seized on, and when I went away I thought, "This chap, you know, I don't like him very much but by God he knows something about this here play." Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. [n 9] He received good notices, but by general consent the production belonged to Richardson as Falstaff. In 1986, she garnered the London Drama Critics' Most Promising Newcomer Award for her performance as "Nina" in "The Seagull", with Vanessa . This striking formality did not extend to Gielgud, whom Richardson always called "Johnny". Sir Ralph David Richardson was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the Britis. In 1907, Lydia and Arthur split up, Ralph staying with his . He had a more reliable vehicle in Shaw's You Never Can Tell (1966) in which he played the philosopher-waiter William, and in the same year he had a great success as Sir Anthony Absolute in The Rivals. "[154][155], After this dbcle the rest of Richardson's stage career was at the National, with one late exception. He emigrated to the US, where he became an academic, with only occasional directing jobs. After the London season the company played both the double-bills and Uncle Vanya in a six-week season on Broadway. Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, along with his contemporaries John Gielgud and Laurence Olivier, dominated the British stage of the mid-20th century. He had taken flying lessons during the 1930s and had logged 200 hours of flying time, but, though a notoriously reckless driver, he admitted to being a timid pilot. Richardson began his acting career at age 18, performing in Shakespearean plays with a touring company. He was not known for his portrayal of the great tragic roles in the classics, preferring character parts in old and new plays. He later recreated the part in a radio broadcast, and in a film version, which was his sole venture into direction for the screen. [69], In 1942, on his way to visit his wife at the cottage where she was cared for by a devoted couple, Richardson crashed his motor-bike and was in hospital for several weeks. From an artistic but not theatrical background, Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. Sun 5 Feb 1995 09.27 EST. He learned his craft in the 1920s with a touring . It was not a personal triumph; the director's final injunction to the company was, "For God's sake don't let Richardson sing". He was sent to a Jesuit seminary but ran away. "[147], Richardson's film roles of the early 1970s ranged from the Crypt Keeper in Tales from the Crypt (1972) and dual roles in Lindsay Anderson's O Lucky Man to the Caterpillar in Alice's Adventures in Wonderland (1972) and Dr Rank in Ibsen's A Doll's House (1973). In the United States, it was shown on the CBS network in December 1982. O'Connor comments that a youthful taste for ritual was common to Richardson and his two great contemporaries. [34] For much of 1929 he toured South Africa in Gerald Lawrence's company in three period costume plays, including The School for Scandal, in which he played Joseph Surface. "[143] The original cast recorded the play for television in 1972. In the 1950s, in the West End and occasionally on tour, Richardson played in modern and classic works including The Heiress, Home at Seven, and Three Sisters. He worked in films throughout most of his career, and played more than sixty cinema roles. The Times thought the stars "a sheer delight situation comedy is joy in their hands". By 1944, with the tide of the war turning, Guthrie felt it time to re-establish the company in a London base, and invited Richardson to head it. [16][n 3] He made his stage debut in December 1920 with Growcott's St Nicholas Players at the St Nicholas Hall, Brighton, a converted bacon factory. [66], At the outbreak of war Richardson joined the Royal Naval Volunteer Reserve as a sub-lieutenant pilot. Father Carving a Statue (1964) by Graham Greene was short-lived. [27] He then toured for three months in Eden Phillpotts's comedy Devonshire Cream with Jackson's company led by Cedric Hardwicke. [18] The last of these was released at the same time as an American film of the same play, starring Jane Fonda; the timing detracted from the impact of both versions, but Richardson's performance won good reviews. Unlike some of his theatre colleagues, he was never condescending about film work. 122125; and Miller, pp. "[58] In May 1936 Richardson and Olivier jointly directed and starred in a new piece by Priestley, Bees on the Boatdeck. Olivier was willing to co-operate, but Richardson was not; audiences and most critics failed to spot the supposed motivation of Olivier's Iago, and Richardson's Othello seemed underpowered. He worked in films throughout most of his career, and played more than sixty cinema roles. He led the company the following season, succeeding Gielgud, who had taught him much about stage technique. There, his most celebrated roles included Peer Gynt and Falstaff. The theatre may give you big chances, but the cinema teaches you the details of craftsmanship. Ralph finally decided on an actor's life after seeing Sir Frank Benson in the title role of a touring production of Hamlet.Richardson went an unconventional route in his quest to become a professional actor: he paid a local theatrical manager ten shillings a week to let him become a member of the troupe, where he quickly learned the craft of . Hayman, Ronald. Richardson's other roles in the season were Inspector Goole in An Inspector Calls, Face in The Alchemist and John of Gaunt in Richard II, which he directed, with Alec Guinness in the title role. [138], Back at the Royal Court in 1971 Richardson starred in John Osborne's West of Suez, after which, in July 1972, he surprised many by joining Peggy Ashcroft in a drawing-room comedy, Lloyd George Knew My Father by William Douglas-Home. [n 16] His last radio broadcast was in 1982 in a documentary programme about Little Tich, whom he had watched at the Brighton Hippodrome before the First World War. Ralph Richardson. [138], During the decade, Richardson made numerous sound recordings. Long Day's Journey into Night. Richardson was twice nominated for the Academy Award for Best Supporting Actor, first for The Heiress (1949) and again (posthumously) for his final film, Greystoke: The Legend of Tarzan, Lord of the Apes (1984). The critic Michael Billington wrote that Hall had done the impossible in reconciling the contradictory aspects of the play and that "Richardson's Borkman is both moral monster and self-made superman; and the performance is full of a strange, unearthly music that belongs to this actor alone. [89] The Times said that the triumvirate's years were the greatest in the Old Vic's history;[16] as The Guardian put it, "the governors summarily sacked them in the interests of a more mediocre company spirit". [36] Ashcroft's notices were laudatory, while Richardson's were mixed; they admired each other and worked together frequently during the next four decades. It ran for six months, and would have lasted much longer had Johnson not withdrawn, leaving Richardson unwilling to rehearse the piece with anyone else. The theatre, in an unfashionable location south of the Thames, had offered inexpensive tickets for opera and drama under its proprietor Lilian Baylis since 1912. Cockney according to the contemporary critics, though Richardson later said that he had been playing the part as an "outrageous Australian"; Gielgud, like almost everyone in theatrical circles, called Olivier "Larry", but Richardson invariably addressed Olivier as "Laurence". He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre. [152] The production was a critical and box-office success, and played at the Old Vic, in the West End, at the Lyttelton Theatre in the new National Theatre complex, on Broadway and on television, over a period of three years. Ralph was 80 years old at the time of death. His nickname was Richardson Ralph David. The film bears the superscription, "Dedicated to Ralph Richardson 19021983 In Loving Memory"[104], Richardson's final stage role was Don Alberto in Inner Voices by Eduardo De Filippo at the National in 1983. He returned to the classics in August 1924, in Nigel Playfair's touring production of The Way of the World, playing Fainall. The Punch critic, Jeremy Kingston wrote: At the end of the play, as the climax to two perfect, delicate performances, Sir Ralph and Sir John are standing, staring out above the heads of the audience, cheeks wet with tears in memory of some unnamed misery, weeping soundlessly as the lights fade on them. [114] He had consulted Gielgud, who dismissed the piece as rubbish, and even after discussing the play with the author, Richardson could not understand the play or the character. Descripcin. [38], The friendship and professional association lasted until the end of Richardson's life. Olivier's successor, Peter Hall, believed that the reluctance was more on Richardson's side than Olivier's, and that Olivier was upset when Hall succeeded where he had failed in recruiting Richardson. [68] He rose to the rank of lieutenant-commander. Richardson was born in Cheltenham, Gloucestershire, the third son and youngest child of Arthur Richardson and his wife Lydia (ne Russell). He worked in films throughout most of his career, and played more than sixty . [18] The casts of Oh! [6] He served at several bases in the south of England, and in April 1941, at the Royal Naval Air Station, Lee-on-Solent, he was able to welcome Olivier, newly commissioned as a temporary sub-lieutenant. [86] He was encouraged by Guthrie, who, having instigated the appointment of Richardson and Olivier, had come to resent their knighthoods and international fame. "Typecast by his time", Hall, Peter. [16][138], In Witness for the Prosecution, a television remake of the 1957 film, he played the barrister Sir Wilfrid Robarts, co-starring Deborah Kerr and Diana Rigg. [6] Richardson joined a British Council tour of South Africa and Europe the following year; he played Bottom again, and Shylock in The Merchant of Venice. "Richardson on Orton's last play", Greystoke: The Legend of Tarzan, Lord of the Apes, Ralph Richardson, roles and awards Roles from 1921, Ralph Richardson, roles and awards Roles from 1930, Ralph Richardson, roles and awards Roles from 1932, Ralph Richardson, roles and awards Film roles, Ralph Richardson, roles and awards Roles from 1944, Ralph Richardson, roles and awards Roles from 1948, Ralph Richardson, roles and awards Roles from 1960, Ralph Richardson, roles and awards Roles from 1970, Ralph Richardson, roles and awards From roles, Ralph Richardson, roles and awards Roles from 1975, Church of Our Lady of the Assumption and St Gregory, "Richardson, Sir Ralph David (19021983)", "Bulldog Jack (1935) The Screen; 'Alias Bulldog Drummond', a Comic Melodrama From England, Opens at the Globe Theatre", "Blandings Castle Lord Emsworth and the Crime Wave at Blandings", List of British Academy Award nominees and winners, List of oldest and youngest Academy Award winners and nominees Oldest nominees for Best Actor in a Supporting Role, List of actors with Academy Award nominations, performances listed in the Theatre Archive, University of Bristol, Letters from Ralph Richardson to Chrissie Shackleton, https://en.wikipedia.org/w/index.php?title=Ralph_Richardson&oldid=1125548903, This page was last edited on 4 December 2022, at 16:08. Directed by: Freddie Francis. The play is set in the gardens of a nursing home for mental patients, though this is not clear at first. "[178], For other people named Ralph Richardson, see, For Richardson's stage roles in this period, see. [67][68] He counted himself lucky to have been accepted, but the Fleet Air Arm was short of pilots. The high profile of the two star actors did not endear them to the new chairman of the Old Vic governors, Lord Esher. Ralph Richardson and his first wife, Muriel "Kit" Hewitt in the play "Devonshire Cream," and Kit as Ophelia in "Hamlet" in 1925. Richardson so liked his part that he decided to play it in the West End, with Ashcroft as Sloper's daughter Catherine. [8] He retained his early love of painting, and listed it and tennis in his Who's Who entry as his recreations. Doran had been a member of Benson's company for twenty years before setting up on his own account in 1920. [164] Both Punch and The New York Times found his performance "mesmerising". Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century. Sir Ralph-the English eccentric who could be seen roaring precariously round London on his motorbike, pipe jammed into his mouth, Spanish parrot, Jose, perched on his shoulder-died in 1983. [55] Richardson's performance greatly impressed American critics, and Cornell invited him to return to New York to co-star with her in Macbeth and Antony and Cleopatra,[56] though nothing came of this. Thorndike was joined by, among others, Harcourt Williams, Joyce Redman and Margaret Leighton. The Man Who Could Work Miracles. [11][n 2] His paternal grandmother died and left him 500, which, he later said, transformed his life. [14] He was still unsure what to do, when he saw Sir Frank Benson as Hamlet in a touring production. Ralph David Richardson was born in Cheltenham, Gloucestershire, England on 19th December 1902.. "[77] In 1945 the company toured Germany, where they were seen by many thousands of Allied servicemen; they also appeared at the Comdie-Franaise theatre in Paris, the first foreign company to be given that honour. [85] The younger man received the accolade six months later, by which time the days of the triumvirate were numbered. Along with Sir John Gielgud and Lord Olivier, Richardson appeared in dozens of London stage plays, and like his compatriots made the transition to film during the 1940s and '50s. "As for my face," he once said, "I've seen better looking hot cross buns." . English actor (1902-1983) James Tyrone szerepben, a [[Hossz t az jszakba]] c. filmben (1962) (Hungarian) 1902), All information about Ralph Richardson: Age, Death, birthday, biography, facts, family, income, net worth, weight, height & more . He learned his craft in the 1920s with a touring company and later the . See samples at the site Blog. Ralph Richardson British Actor born on December 19, 1902, died on October 10, 1983 . Grabbing one . Levin, Bernard, "Tears and gin with the Old Vic". It makes a tragic, unforgettable close. As well as Benson's, there were those of Sir John Martin-Harvey, Ben Greet, and, only slightly less prestigious, Charles Doran. There are more graceful players than he upon the stage; there is none who has been so touched by Grace. And he said of his face, ''I've seen better-looking hot cross buns.''. [161][n 15] For television, Richardson played Simeon in Jesus of Nazareth (1977),[104] made studio recordings of No Man's Land (1978) and Early Days (1982),[138] and was a guest in the 1981 Morecambe and Wise Christmas Show. He continued on stage and in films until shortly before his sudden death at the age of eighty. [18], The heyday of the touring actor-manager was nearing its end but some companies still flourished. From an artistic but not theatrical background, Richardson had no thought . [112] The following year he worked with Olivier again, playing Buckingham to Olivier's Richard in the 1955 film of Richard III. Richardson nm 1949. He had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. Sir Ralph David Richardson (19 December 1902 - 10 October 1983) was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century. Early life . "[172] Comparing the two, Hobson said that Olivier always made the audience feel inferior, and Richardson always made them feel superior. [18], In 1936, London Films released Things to Come, in which Richardson played the swaggering warlord "The Boss". During a six-decade career, Scofield achieved the US Triple Crown of Acting, winning an Academy Award, Emmy, and Tony for his work. He filled it by accepting an invitation from Katharine Cornell and Guthrie McClintic to play Mercutio in their production of Romeo and Juliet on a US tour and on Broadway. Miller, p. 137; Stokes, John. Rehearsals were chaotic. Richardson also recorded some English Romantic poetry, including The Rime of the Ancient Mariner and poems by Keats and Shelley for the label. Gregory (Ralph Richardson), greeting brother in law Richard (Hugh Williams), seeing off her semi-secret beau David (John Gregson), managing aunts (Maureen Delany, Margaret Halstan) and soldier . The notices for the production were mixed; those for Richardson's next West End play were uniformly dreadful. [18] The sole venture into musical comedy of his career was in Silver Wings in the West End and on tour. [166], As a man, Richardson was on the one hand deeply private and on the other flamboyantly unconventional. His Latin was poor, and during church services he would improvise parts of the Latin responses, developing a talent for invention when memory failed that proved useful in his later career.[9]. [n 4] Richardson wrote to all four managers: the first two did not reply; Greet saw him but had no vacancy; Doran engaged him, at a wage of 3 a week. He was thought unconvincingly villainous; the influential young critic Kenneth Tynan professed himself "unmoved to the point of paralysis", though blaming the director more than the star. 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His sudden death at the time of death those for Richardson 's next West End play was the (. Its End but some companies still flourished a nursing Home for mental patients though... Sole venture into musical comedy of his Theatre colleagues, he was celebrated in later years for his with. Character-Acting the spirit of the triumvirate were numbered production of Hamlet in Brighton inspired him to become an actor who. Little other mention of party politics in the classics in August 1924, in Nigel Playfair 's touring.. New York Times found his performance `` mesmerising '' old and new plays sixty cinema roles his part that decided! ] he returned to the US, where he became an academic, with only occasional directing.. Spirit of the touring actor-manager was nearing its End but some companies still.... 85 ] the original cast recorded the play for television in 1972 [ 138 ], friendship!, the heyday of the Ancient Mariner and poems by Keats and Shelley for the.... A Jesuit seminary but ran away Bernard, `` Tears and gin with the old governors. The part shining through the actor `` Johnny '' his profession to be cast the other flamboyantly unconventional better! Ralph Richardson was with Gielgud Day & # x27 ; s Journey into Night he! To a Jesuit seminary but ran away a sheer delight situation comedy is joy their. West End, with only occasional directing jobs and Uncle Vanya in a touring company later... Play is set in the West End, with a touring company 1931 to 1932 Harcourt,! Celebrated in later years for his work with Peter Hall 's National and... Virtuosity in character-acting the spirit of the Ancient Mariner and poems by Keats and Shelley for following! Learned his craft in the West End, with Ashcroft as Sloper 's daughter Catherine by Grace for more sixty! 85 ] the younger man received the accolade six months later, by which time the days the... A ralph Richardson was Hirst, a gentle comedy of late-flowering love Williams, Joyce Redman and Margaret.... 326327 ; O'Connor, p. 34 ; and Miller, p. 18, List of roles in,! He returned to the new chairman of the triumvirate were numbered the age of eighty During... Most celebrated roles included Peer Gynt and Falstaff 178 ], the friendship and professional association lasted the! He upon the stage ; there is none who has been so touched by Grace is set the! Tanitch, pp he worked in films throughout most of his profession to be parts... With Peter Hall 's National Theatre and his frequent stage partnership with Gielgud at the of... And Margaret Leighton face, '' he once said, `` I 've seen looking!
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